The Rejection Collection by Robert Mankoff

Warped, wicked, and wildly funny, The Rejection Collection Vol.

With appendices that explore the top ten reasons why cartoons are rejected and examine the solitary nature of the job of cartooning - plus a special bonus section of questions asked of and answered by cartoon editor Robert Mankoff - this sequel to The Rejection Collection offers even deeper insight into the exercise in frustration, patience, and amusement that is being a New Yorker cartoonist. Handpicked by editor Matthew Diffee, these hilarious cartoons are accompanied by handwritten questionnaires and photographed self-portraits, providing a rare glimpse into the minds of the artists behind the rejection. 2: The Cream of the Crap is the ultimate scrap heap of creative misfires - from the lowbrow and the dirty to the politically incorrect and the weird, these rejects represent the best of the worst.in the best possible sense of the word.

So what happens to the 75 percent of cartoons that don’t make the cut? Some go back in a drawer, others go up on the refrigerator or into the filing cabinet.but the very best of all the rejects can be found right here in these pages. Too risque, silly, or weird for The New Yorker, the cartoons in this book offer something no other collection has: They have never been seen in print until now.With a foreword by New Yorker cartoon editor Robert Mankoff that explains the sound judgment, respectability, and scruples not found anywhere in these pages, and handwritten questionnaires that introduce the quirky character of each artist, The Rejection Collection will appeal to fans of The New Yorker.and to anyone with a slightly sick sense of humor.Each week The New Yorker receives more than five hundred submissions from its regular cartoonists, who are all vying for one of the twenty coveted spots in the magazine. From the artists' stacks of all-time favorite rejects, Diffee handpicked the standouts - the cream of the crap - and created The Rejection Collection, a place where good ideas go when they die. He tapped his fellow cartoonists, asking them to rescue these hilarious lost gems. He's been numbering every single cartoon he's ever submitted to The New Yorker since the very beginning.) Enter editor Matthew Diffee. Sam Gross, who has been contributing since 1962, has more than 12,000 rejected cartoons.

Arguably the most brilliant single-panel-gag cartoonists in the world create a bunch of cartoons every week that never see the light of day.These rejects were piling up in the dusty corners of studios all over the country. Each week about fifty New Yorker cartoonists submit ten ideas, yielding five hundred cartoons for no more than twenty spots in the magazine.

The Rejection Collection by Robert Mankoff